What happens when sound is treated as something physical rather than something we hear?
A vinyl record begins to distort as though responding to an unseen signal. The surface reshapes itself into evolving patterns, revealing how rhythm and distortion can be understood as structure rather than vibration.
A vinyl record drifts into view and begins to respond to an unseen signal. Its surface slowly distorts, forming patterns that spread across the disc as though the sound itself is reshaping the material.
Audio is usually experienced as vibration, but it also contains structure. When translated into form, rhythm and distortion become visible patterns rather than invisible signals.
Ideas often become clearer when translated into another medium. Changing the way something is represented can reveal qualities that are otherwise difficult to notice.
